Here is a list of publications:

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Gilbert, Adam Knight. “Singing and Visualizing Solmization in Musical Performance and Pedagogy (ca. 1400-1521).” In Early Music Pedagogy Then and Now: From the Classical Antiquity to the Renaissance, Musica Incarnata, vol. 3, edited by Marcello Mazzetti and Livio Ticli, Turnhout: Brepols, Forthcoming 2025.

https://www.brepols.net/products/IS-9782503615660-1

 

Gilbert, Adam Knight. “Echoes of Sacred Song at San Gabriel Mission.” Southern California Quarterly 106, no. 1 (2024): 177–207.

https://muse.jhu.edu/pub/443/article/922202/pdf

 

Gilbert, Adam Knight. “Concealment Revealed: Sound and Symbol in Ockeghem’s Missa Quinti toni and Missa Prolationum.” In Explorations in Music and Esotericism, edited by Marjorie Roth, and Leonard George, 101–24. Rochester: University of Rochester Press, 2023.

https://www.degruyter.com/document/doi/10.1515/9781805430506-008/html?lang=en

 

Bregman, Adam and Adam Gilbert. “The Music and Dances of Brussels, KBR, Ms. 9085.” In Margaret of Austria’s basse danse Manuscript - Study, edited by Grantley McDonald, 17-88 and 270-384. Antwerp: Davidsfonds Uitgeverij, 2022.

https://publications.alamirefoundation.org/en/leuven-library-of-music-in-facsimile/1164/llmf/1723/llmf-vol.-6-margaret-of-austria-s-basse-danse-manuscript-study

 

Gilbert, Adam. “The Shawm and the Alta Ensemble during the ‘Slide Trumpet Years’.” Basler Beiträge zur historischen Musikpraxis (2021): 1–36.

https://www.forschung.schola-cantorum-basiliensis.ch/en/forschung/improvisation-trompeten-ensemble/gilbert-shawm-alta-ensemble.html

 

Gilbert, Adam. “Songs that Know Each Other in the Leuven Chansonnier.” Journal of the Alamire Foundation 12, no. 2 (2020): 231–61.

https://www.brepolsonline.net/doi/pdf/10.1484/J.JAF.5.121941

 

Gilbert, Adam Knight. “Iuxta artem conficiendi: Solmization and Counterpoint ca. 1500.” Historical Performance 2 (2019): 25–54.

https://muse.jhu.edu/article/811573/pdf

 

Gilbert, Adam. “Henricus Isaac’s Lost Missa Je ne fay plus Found?” Journal of the Alamire Foundation 6/2 (2014): 187–217.

https://www.brepolsonline.net/doi/pdf/10.1484/J.JAF.5.102765

 

Gilbert, Adam. “Reverse Engineering Fifteenth-Century Counterpoint: Es solt ein man kein mole farn and Cançon de pifari dco. el Ferrarese.” In Instruments, Ensembles, and Repertory, 1300-1600, edited by Stewart Carter, and Timothy McGee, 173–94. Brepols Pub, 2013.

https://www.brepolsonline.net/doi/10.1484/M.BCEEC-EB.1.100639

 

Gilbert, Adam. “Thundering to the Tune of Greensleeves.” In “Hands-On” Musicology: Essays in Honor of Jeffery Kite-Powell, edited by Stewart Carter, and Timothy McGee, 101–17. Ann Arbor: Steglein, 2012.

 

Gilbert, Adam Knight. “Ludwig Senfl’s Sancte pater divumque and his Musical Patrimony.” In The Motet around 1500: On the Relationship of Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 429–43. Turnhout: Centre d’Etudes Supérieures de la Renaissance Brepols, 2012.

 

Gilbert, Adam Knight. “Words and Music Dedans la mer de longue actente.” In Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois, et bonne estrenne, edited by Fabrice Fitch, and Jacobijn Kiel, 207–17. Cambridge: Boydell and Brewer, 2011.

 

Gilbert, Adam Knight. “Henrich Isaac, Ludwig Senfl, and a Fugal Hexachord.” In Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History; Proceedings of the International Conference, Leuven, 4-6 October 2005, edited by Kathelijne Schiltz and Bonnie J. Blackburn, 111–23. Leuven and Dudley: Peeters, 2007.

 

Gilbert, Adam Knight. “Eight Brief Rules for Composing a Si Placet Altus, ca. 1470–1510.” In A Performer’s Guide to Renaissance Music, edited by Jeffery Kite-Powell, 331–42. Bloomington and Indianapolis: Indiana University Press, 2007.

 

Gilbert, Adam. “The Improvising Alta capella, ca. 1500: Paradigms and Procedures.” Basler Jahrbuch für historische Musikpraxis 29 (2005): 109–23.

 

Gilbert, Adam Knight. “Elaboration in Heinrich Isaac’s Three-Voice Mass Sections and Untexted Compositions,” diss., Case Western Reserve University, 2003.

 

Gilbert, Adam. “The Bagpipe: Superexcellens omnia instrumenta.” In Performer’s Guide to Medieval Music, edited by Ross Duffin, 399–411. Bloomington: Indiana University Press, 2000.